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Alternative Entertainment

TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...

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Trending

'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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Thought Factory

PATHAAN: IS IT A CINEMATIC MASTERPIECE?

Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics.

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Alternative Entertainment

UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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Alternative Entertainment

Decoding the chemistry: Uttam-Suchitra

Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, whi...

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Thought Factory

FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!

Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion i...

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Thought Factory

WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...

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Alternative Entertainment

Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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Powerful People

DIVYA SETH SHAH: Actor for a Lifetime!

Aparajita Krishna is in this free-wheeling conversation with actor Divya Seth – packing her life, friends, family and ca...

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Alternative Entertainment

Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

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